- Winner of The Architecture Drawing Prize 2023: an interview with Eldry John Infante
- Developing in the City: New Build vs Retrofit
- Transforming Cityscapes with the Power of Nature
- Making luxury circular: rethinking re-use in retail fit-outs
- Is it mean to cut down trees?
- “Drawing as a method of dialogical design” – an interview with Eugene Tan
- “I’m interested in intricate and intimate architecture that directly affects people.” – Samira
- Refresh, repurpose, reimagine: Our approach to retrofit
- Developing in the City: New Build vs Retrofit Part 2
- Make models: Carlisle Health and Wellbeing Centre
- AI integration at Make: shaping the future of architecture
- Optimising the value of build-to-rent
- Tall buildings photo essay
- Reflections on Make Neutral Day 2024: Part 2
- Is it green to cut down trees?
- Make models: Station Row section model
- Make models: Drum
- Make models: Milton Avenue/Station Row
- Reflections on Make Neutral Day 2024: Part 1
- Defining a sustainable workplace – the BCO’s climate emergency challenge
- Discussing exhibitions with Dr Erin McKellar, Assistant Curator (Exhibitions), Sir John Soane’s Museum
- “Spirit is pure, so that’s what I feel here.” – Aunty Margret
- Hydrogen: Solution or ‘Techcrastination’?
- Carbon goggles: looking for facades of the future by reflecting on facades of our past
- Winning the 2022 Architecture Drawing Prize
- Variety in urban living: setting the scene
- Make models: Salford Rise
- Variety in urban living: the challenges and opportunities
- Make models: Seymour Centre
- Wilding the City
- Make models: 20 and 22 Ropemaker Street gift models
- Variety in urban living: innovation is key
- Reflections on Make Neutral Day 2023: Part 1
- Designing Regenerative Travel
- Make models: Jersey South Hill
- World Heritage Day 2023 Photo Essay
- Reflections on Make Neutral Day 2023: Part 2
- “Let’s do something a bit different”
- A deep dive into an amazing ‘Wunderkammer’
- Make models: shopping centre competition facade
- “My first subject was a house. From then on, I started developing my drawing skills.”
- The Spirit of Mountain
- Make models: Brookfield Place Sydney
- Make models: community library model
- Q&A with Maker Michelle Evans, project lead on Capella Sydney
- Challenging structural conventions at 80 Charlotte Street
- The power of creativity and experimentation
- Hyperlocal retail post-Covid
- Architectural Drawing: From Soane’s Time to Today
- New business models for a different retail future
- Internet shopping and the effect on cities
- The value of outreach – reflecting on our school engagement with RIBA Architecture Ambassadors
- Pink light veggies
- “I’ve wanted to be an architect since I was four years old.”
- “I’m learning that architectural designs will need to work in the real world.”
- The town centre in five years’ time: Community [1/3]
- Make–ReMake
- Embodied carbon of transportation
- From listed buildings to 21st-century schools [2/2]
- Drawing Sydney
- Inspired by “art built” – an interview with Marc Brousse
- Embodied carbon in curtain walls
- Reducing embodied carbon isn’t all about materials
- “Tall buildings mesmerise me.”
- Make models: metal etching
- “I’m the first one in my family pursuing architecture.”
- “What can you see behind this building?” – an interview with Fe
- My next getaway
- The town centre in five years’ time: Wellbeing [2/3]
- Make models: 80 Charlotte Street
- Living Architecture: Urban Forest
- “I want to build things that will explore new depths of the sea.”
- Upfront carbon: how good is good enough?
- The town centre in five years’ time: For everyone [3/3]
- Winner of The Architecture Drawing Prize 2020 – an interview with Clement Laurencio
- Restoring Hornsey Town Hall’s clocks
- A Proposed Hierarchy for Embodied Carbon Reduction in Facades
- From listed buildings to 21st-century schools [1/2]
- Comparing embodied carbon in facade systems
- Building Natural Connections with Energy, People, Buildings
- Bridging the gap
- Designing in the wake of coronavirus
- Living employment
- Atlas – Tech City statement
- Four ways residential design might change after COVID-19
- Post COVID-19 – What’s next for higher education design?
- Inspiring Girls
- Stephen Wiltshire
- The future of retail and workplace
- Make models: The Cube
- International Women’s Day 2020
- Architectural Drawing: States of Becoming
- One Make
- Post-COVID
- The Architecture Drawing Prize exhibition reviewed
- ‘Architecture in the frame’ – London Art Fair
- A Hong Kong perspective on a post COVID-19 society
- Chadstone Link: Making new connections
- Improving social ties in our cities
- Design narratives and community bonds
- Behind the scenes at the 2019 World Architecture Festival
- Drawing on the culture that makes the buildings
- Future modelmakers 2020
- The City is Yours
- After coronavirus, how can we accelerate change in workplace design to improve connection and wellbeing?
- The Madison model by Theodore Polwarth
- Q&A with our student modelmakers: Theodore Polwarth
- The Teaching and Learning Building model by James Picot
- Q&A with our student modelmakers: James Picot
- Pablo Bronstein
- The Big Data Institute model by Finlay Whitfield
- Q&A with our student modelmakers: Finlay Whitfield
- Encouraging spaces of conviviality
- The importance and passion of heritage in the built environment
- No show, so what next?
- Choosing architectural modelmaking
- World Heritage Day 2020
- Make models: Agora Budapest
- Drawing in Architecture
- Draw in order to see
- Project delivery at 80 Charlotte Street
- Our commitment to sustainable design
- Asta House – Local living in Fitzrovia
- Make models: Chadstone Link
- Transparency and a sense of investment
- Langlands and Bell – Observing and Observed
- Telling Stories: The power of drawing to change our cities
- Musings on The Architecture Drawing Prize 2020
- What role will hotels play in our society after COVID?
- Sketchbooks: draw like nobody’s watching
- Honest, in-depth learning
- Museum for Architectural Drawing, Berlin
- Make models: 20 Ropemaker Street, part 2
- The value of the drawing
- The hand does not draw superfluous things
- Balance
- Prized hand-drawings return a building to an organically conceived whole
- Draw to Make
- Drawing details – technical and poetic
- Betts Project
- Living with loneliness
- Combating loneliness in the built environment
- An update from Sydney
- Retail innovation beyond the shop door: Lessons from the USA (part 1)
- Make models: 20 Ropemaker Street, part 3
- Sydney born and razed
- Retail innovation beyond the shop door: Lessons from the USA (part 2)
- Make models: 20 Ropemaker Street, part 1
- Retail innovation beyond the shop door: Lessons from the USA (part 3)
- Architecture and Creativity
- High-density living in Hong Kong
- Make’s past, present and future
- The Architecture Drawing Prize – Not just another competition
- Leaving a mark
- Community connections
- My time with the BCO
- The call of the wild
- The art of an art historian
- Mary, queen of hotels
- Make models: Portsoken Pavilion
- The Make Charter
- Why Brexit will see a glass half-full emptied
- Make models: LSQ London
- Disappearing Here – On perspective and other kinds of space
- Drawing and thinking
- Drawing to an end?
- Making shops exciting again: Lessons from the Nordics (part 1)
- Make models: Grosvenor Waterside
- Drawing architecture
- The Hollow Man: poetry of drawing
- Above and beyond
- Making shops exciting again: Lessons from the Nordics (part 2)
- Plein air in the digital age
- A “Plan in Impossible Perspective”
- Art Editor’s picks
- Making shops exciting again: Lessons from the Nordics (part 3)
- The future of bespoke HQs
- Make models: The Luna
- World-class architecture
- The Architecture Drawing Prize exhibition review
- The future is bright but not the same
- Employee ownership
- The tools of drawing
- Trecento re-enactment
- Lessons on future office design from Asia Pacific
- The human office
- How drawing made architecture
- Advocating sustainable facade design
- Make models: FC Barcelona’s Nou Palau Blaugrana
- Drawing as an architect’s tool
- Are you VReady?
- Cycle design for the workplace
- The Architecture Drawing Prize
- Make models: an urban rail station
- Reporting from Berlin
- City-making and Sadiq
- Hand-drawing, the digital (and the archive)
- Ken Shuttleworth on drawing
- The green tiger
- Stefan Davidovici – green Mars architect
- When drawing becomes architecture
- Make models: Swindon Museum and Art Gallery
- The role of the concept sketch
- Make calls for a cultural shift in industry’s approach to fire safety
- 2036: A floor space odyssey
- Harold on tour
- London refocused
- Hotels by Make
- Full court press
- Digital Danube
- Don’t take a pop at POPS
- The future of architecture – Matthew Bugg
- The future of architecture – Jet Chu
- The future of architecture – Robert Lunn
- The future of architecture – David Patterson
- The future of architecture – Rebecca Woffenden
- The future of architecture – Katy Ghahremani
- Safer streets for all
- The importance of post-occupancy evaluation for our future built environment
- Put a lid on it
- Designing for a liveable city
- The future of architecture – Bill Webb
- Bricks – not just for house builders
- Designing in the City of Westminster
- Rolled gold
- How to make a fine suit
- Responsible sourcing starts with design
- Is off-site manufacture the answer?
- Developing a design for the facade of 7-10 Hanover Square
- Curious Sir Christopher Wren
- Responsible resourcing should be an integral part of every project
- The socio-economic value of people-focused cities
For our Sydney studio’s inaugural Make Neutral Day, we invited Professor Jua Cilliers (Head of School of Built Environment, University of Technology Sydney and President of the Commonwealth Association of Planners) to be the keynote speaker. Professor Cilliers’s research focuses on the planning of sustainable cities, nature-based solutions and community engagement to enhance quality of life.
Here, she has adapted her talk into an article for our website.
Reimagining cities: a blend of nature and urbanity
In our rapidly evolving world, the modern cityscape, often dominated by concrete and steel, has pushed nature into the background. However, a shift in perspective is needed. We must embrace bold leadership, ready to challenge this paradigm by envisioning cities where nature is not merely an afterthought but a fundamental component of urban design. This vision enhances aesthetic appeal and addresses urgent environmental challenges.
Our urban reality: staggering statistics and emerging needs
Consider the staggering statistics we face today: 3 babies are born every second, summing up to 384 births daily. By 2050, an estimated 68% of humanity will live in urban areas, necessitating a 70% increase in food production. Concurrently, 40% of the global population is likely to face water shortages, while 1.6 billion might struggle with housing crises. Furthermore, climate change is on track to displace 1.2 billion people by 2050. Amid these challenges, a concerning trend has emerged: the rapid disappearance of urban green spaces, which are crucial for environmental, social and economic wellbeing.
Green Spaces: The Heartbeats of Our Cities
Urban green spaces are more than just patches of grass and trees in a concrete landscape. They are the heartbeats of our cities, offering innumerable benefits. Green spaces are crucial for biodiversity, air and water purification, and for combating the urban heat island effect. They provide areas for recreation, improve mental health and foster community connections. Green spaces increase property values, attract tourism and reduce healthcare costs by promoting a healthier lifestyle. The facts are clear: to ensure a sustainable future, we must urgently reclaim nature in our cities. This isn’t just about planting more trees or creating parks; it’s about integrating nature into the very fabric of urban planning. It’s about recognising that green spaces are not a luxury but a necessity for the future we envision.
Transforming urban spaces: best practices from Belgium and South Africa
Belgium offers inspirational examples, such as Namur, Wavre and La Louviere, where urban spaces have been revitalised into dynamic public places, significantly enhancing social and environmental value. The Jardin de la Maison in Namur, for instance, was transformed from a neglected area into a lively, attractive public space bustling with activity, especially in the summer months. Similarly, in Wavre, the Place du Cardinal Mercier was repurposed from a parking area into a thriving urban garden, positively impacting local businesses and ecological aspects.
Place du Cardinal Mercier in Wavre after transformation to an urban garden.
In South Africa, nature-based solutions in places like Ikageng have created child-friendly areas, turning once vacant lands into vibrant community spaces. These transformations highlight the social sustainability of nature-based solutions, with communities actively maintaining these spaces.
Ikageng child-friendly space after a quick nature-based transformation.
Growing density and food together
Integrating nature into urban planning and design is crucial for crafting sustainable, eco-friendly and enriching urban environments. This includes addressing the challenges of increasing city density and ensuring accessible, nutritious food. For example, the ‘Growing Health in Local Food Gardens’ project in Sydney showcases the physical and mental health benefits of school, home and community gardens, emphasising the role of green spaces in health and wellbeing.
Growing Health in Local Food Gardens project.
Unified vision for sustainable urban development
Integrating nature into cityscapes is not just about aesthetic enhancement; it’s about creating sustainable, livable and inclusive urban environments. Collaboration across disciplines, from planning to architecture, is crucial in transforming this vision into reality. As we face the challenges of climate change and urbanisation, the value of nature in cities becomes not just desirable but essential. It’s time for a concerted effort to upscale innovative pilot projects and embed sustainable thinking into every aspect of urban development.
Conclusion: a call to (urgent) action
The examples above are more than just ideas; they are a call to action. The challenges we face are monumental, yet the path forward is clear. Reclaiming nature in our cities is not an option; it’s an imperative. As we move towards a future marked by rapid urbanisation and environmental challenges, our commitment to integrating and preserving green spaces in urban areas will be a defining factor in the quality of life for billions. The time to act is now for a sustainable, healthy and vibrant urban future.